A long, long time
ago, in a city far, far away, my photographs were never in color. It wasn't only that black and white film was a lot less
complicated to develop and print; I just didn't much care for color.
(I also spent a lot of time going to Ingmar Bergman films by
myself, if that helps). And I had very little interest in gardens, although I lived
in a climate of four-season flowers.
Now I live where
growing time is limited and color is precious. So white flowers
don't really do that much for me. Yes, they light up dark areas in a
garden and do a good job of attracting pollinators in forests. But
there's something too cold, even forbidding about them.
Azaleas |
White in western culture brings to mind
purity, innocence, even a clean-slate. Brides, babies, and new
beginnings. But most East and South-Asian cultures wear white to
funerals. And in "The Whiteness of the Whale" chapter from
Moby Dick, Herman Melville
writes of the fear induced by the paleness of the dead, the white
shroud, the ghost that arises. Then there's the horror experienced when
confronted by the abyss that is no color and all colors. When staring up at the star-filled night sky, Ishmael wonders if the indefiniteness of whiteness "shadows forth the heartless voids and immensities of the
universe, and thus stabs us from behind with the thought of
annihilation, when beholding the white depths of the milky way?"
carrot flowers
(Daucus carota
subsp. sativus)
|
And there's just
something sort of creepy about white flowers. The flowers on the
left that bloomed from carrots I never dug up have that "bride
of death," horror film feel to them.
The sweet-smelling yet highly toxic Lily of the Valley below is often used for bridal bouquets. Seems like an odd or at least an ironic choice.
Convallaria majalis
|
Maybe my aversion
is more about the idea of purity and innocence.
Actual innocence is
a kind of blankness, a lack of experience. Do we exalt that state because it is valuable or because
we mourn our spotted lives, our lives cluttered with good and bad,
right and wrong. We long for a chance to begin again, to try for
perfection by consciously returning to a state of perfection. But it doesn't work that way.
Life is messy. We
all do terrible things. And we must live with that. What could be
more poignant, what could be more human? This is not to say we
should celebrate our mistakes. We celebrate that we live with them.
And every experience, every spot and every tear, adds to that life. And, for me, a touch of
color adds to, even redeems, the whiteness of a flower.
Starflower
(Trientalis borealis)
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